The Land of Lincoln. It is a place known for many facets. Maybe one comes to Illinois for the expansive swaths of cornfield that populate a majority of its area. Maybe it’s for the suburbs where many placid suburbanites spend their days growing older and taller. Maybe it’s for that glorious forest of metal that is Chicago. However, I am revisiting my own home state for one reason alone: a look into the illustrious album of Sufjan Stevens, Illinois. What implores a man from Michigan to look just one state over to inspire him into composing a conceptual genre bending collection of songs?
Funny enough, that story seems to start with Michigan. Not the state that Stevens is originally from, but the album he composed in reverence to it. That previous album and eventually the one this piece is analyzing were meant to be part of what was described as “the 50-state project”. This ambitious, yet unfortunately never fully realized, project was envisioned as a studio length album to correspond with each state in the United States. However, Stevens eventually admitted that this concept was imagined more as a joke and less of an artistic vision. While songs related to Arkansas, New Jersey, and New York were eventually released in some sort of manner or another, Illinois seemed to be the last in this series, albeit far from the last album he released.