Max's Hot Take: Jack Antonoff is only good for Jack Antonoff
Fresh off the heels of the latest blockbuster release for producer Jack Antonoff, Taylor Swift's The Tortured Poets Department, I am convinced that the only creative music Antonoff is capable of producing is for his own group Bleachers. His trend, not only with Swift, but with every pop artist he's collaborated with including The 1975, Lorde, and Lana Del Ray, involves stripping away everything from music and refusing to play into the musician's strengths to create a generic, a-melodic, spoken word poetry album. This approach is guaranteed to only further jeopardize the jobs of other musicians since he has made it a hundred times easier for AI to write a pop hit now. This is not to say that Antonoff is unoriginal, uncreative, or a disservice to music: just to those he collaborates with.
His latest release with his group Bleachers, the January Bleachers album, features more of the creativity than can be heard on the 90+ minutes of Swift's Midnights. My first listen of Midnights came on a drive home from Ohio with my sister in tow. I was vastly underwhelmed, almost asleep at times from the ambient, tonal background with little instrumentation and trackable melody. Swift's early music has power for a reason: it can be sung.
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