Despite opening with a cover of Nancy Sinatra’s “These Boots Are Made for Walking”, Meet the Residents" was neither the project of a Louisiana pop combo nor a release by a band in the traditional sense. Instead, Meet the Residents is a dissonant avant-garde construction by a California-based collective of presumably rotating individuals who would protect their identities by performing in elaborate costumes, often in elaborate eyeball masks, under the tutelage of the mysterious and possibly non-existent composer N. Senada. The Dadaist mockery of the Beatles on the album cover gives some idea of what is contained inside, but if you come in expecting pure parody you’ll be disappointed. This is home-produced, featuring tape recordings cut with razor blades and spliced together, distorted horns, bizarre lyrics, and even weirder vocals. And it was ignored… mostly. The Residents were unphased and would go on to continue to produce albums and tour up to this day. Retrospectively this album would garner critical acclaim for its challenging nature and willful deconstruction of Western music. This would be followed to an even greater extent in 1976’s Third Reich N’ Roll’s savage parodies of rock and pop music, but Meet the Residents shows pop, classical, and rock influences and then takes them to strange places.
To give a brief sample, “Boots” is Nancy Sinatra if interpreted by a barbershop quartet of ghouls with ahooga horns added for good measure. The most pop-friendly song might be “Smelly Tongues” which features guest vocals by a high-school friend of the group and would be covered and released as B-side by Snakefinger, another friend of the group, later. “Spotted Pinto Bean” features soaring female vocals, resembling a him before devolving into percussive piano, and thunderous sounds while the lyrics focus on the coming of a bean. At nearly ten minutes, the closing track, “N-ER-GEE (Crisis Blues)” truly sounds like nothing else with snippets of the Human Beinz, the horns from before, what sounds like recorders and toy pianos, more nonsense lyrics, and vocals that sound like Mel Blanc as a neanderthal.